2016 Tapping : JENNI CRAIN

Tapping

KANSAS, New York, NY
August 6 - August 31, 2016

Jenni Crain
Carey Denniston
Adam Kremer
Boru O'Brien O'Connell
Luke Stettner & Max Stolkin

Organized by participating artists.

Adam Kremer Pitched Water (Second Movement), 2016. Gelatin silver print, framed. 20 x 16 inches

Luke Stettner & Max Stolkin, A door slammed. On the village square the child swung his arms around, and was understood by the weather vanes and the steeple cocks everywhere, under the pelting rain., 2016. Xerox photographs, ginger and artist’s frame. 24 x 36 inches

Luke Stettner & Max Stolkin, When the world is reduced to a single dark wood for our two pairs of dazzled eyes-to a beach for two faithful children-to a musical house for our clear understanding-then I shall find you., 2016. Xerox photographs, ginger and artist’s frame. 24 x 36 inches

Luke Stettner & Max Stolkin, A gust of wind makes operatic cracks in the partitions, confuses the pivoting of worm-eaten roofs, blows away the walls of hearths, blots out the windows., 2016. Xerox photographs, ginger and artist’s frame. 24 x 36 inches

Adam Kremer, Pitched Water (Late Spring Afternoon), 2016. Gelatin silver print, framed.
20 x 16 inches

Jenni Crain, bench (...a thing is not itself until it contains what we want), 2016. Baltic birch plywood.
85 x 15 x 18 inches

Carey Denniston, Work prints, four, 17 May 2013, 2013. Gelatin silver prints, framed (four parts).
Each 8.25 x 6.25 inches

Boru O’Brien O’Connell, A pale version of what I intended to communicate, 2015. Powder coated brass (three parts).
Each 11 x 8.5 x 7 inches

Jenni Crain, A & B (...not of light on things but of things in light), 2016. Archival pigment prints, framed. Dipytch. Each 31 x 23 inches

Boru O’Brien O’Connell, Placeholder (Glove), 2016. Archival pigment print. 52 x 44 inches

Jenni Crain, with support (...a thing is not itself until it contains what we want), 2016 Baltic birch plywood. 85 x 15 x 18 inches